Ferment Fortnight kicks off its biannual explosion of work-in-progress and scratch performances from 24 Jan. Here, Mufti Games Director Malcolm Hamilton discusses his upcoming performance #oneplaything. Catch it at the Loco Klub, Wed 31 Jan.
Tell us a bit about yourself…
I’m Malcolm, I’m a theatre maker who specialises in play. For the past few years I’ve been using known games-like hangman and rock paper scissors- to make shows or engage people in ideas. This last year I’ve been a Leverhulme Scholar with Ferment and I’ve been concentrating on play theories and thinking. I’ve been running play activities and been using play in other contexts, like heritage engagement and housing consultation.
What are you presenting at Ferment Fortnight?
It’s a talk, and experiment and a play session. There will be some performance and we’ll play together. We’ll use play to explore a story and we’ll look at some problems our society has with play. I’ll invite you to think about your own play, and give you something to take away too. It’s about giving value and celebrating tiny, everyday moments.
What inspired/influenced your piece?
Last year, I was invited to a meeting of playful people in Leeds. It was the first ‘on the road version’ of the Danish play festival ‘Counterplay’. As a result of some relatively light street interventions, some very big conversations happened. We all got very excited. It was the pinnacle of a year consciously exploring play and #oneplaything is a sharing of that year.
What does the work that Ferment do mean to you?
I’ve just been supported by Ferment for a year so it’s had a massive impact on me. My confidence has built, I’ve been able to explore new things and experiment with space to think. I’ve built some really strong new relationships and been able to focus my work enabling me to move forwards in a stronger, more disciplined way. I’ve been hanging about Ferment since the beginning and it’s been a great way to try out ideas and see great work in the early stages. There are some shows seen that have gone absolutely nowhere. And they’ve really stuck with me. Because as you watch, a tiny bit of that show, form or idea will help that artist develop, and if they hadn’t had a chance to work that out, they might still have one leg stuck behind a wall scratching their head, rather than dancing on the clifftops. And the good thing about dancing of the cliff tops in this context, is that we all get the chance to dance too.
What would you say the audience can expect in three words?
A GOOD TIME
Ferment Fortnight takes place at Bristol Old Vic 24-25 Jan before moving across the city to Watershed and Loco Klu from 26 Jan-3 Feb. For more info and to book tickets, click here.